All posts filed under: Uncategorized

(Anti)Voice-loop, 2019

    This is a kinetic-sound installation by designed and constructed by Freddie Hong and sound artist Philip Liu.       Anti]Voice loop, (2019) By Freddie Hong and Philip Liu [Anti]Voice loop is audience engaging ‘kinetic-sound installation’ inspired by the aesthetical and functional aspects […]

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World’s Largest Musical Box, 2019

Shortlisted proposal for summer camp project 2019. This Musical box wheel was proposed to be built by 100 young adolescents for the period of summer camp in forest. This proposal was developed in collaboration with Classical Violinist Sue In Kang.   We are very interested […]

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Boolean, 2018

  *Boolean is series of styrofoam sculpture constructed with specially designed hot-wire cutting instrument. Split from single rectangular block, left side is the void of the right side and vice versa. This is neither additive nor subtractive way of sculpting. Through multiple trials with the […]

The door that opens when you smile

This Door only opens when you smile at it. Featured on Fast Codesign : https://www.fastcodesign.com/90107859/to-use-this-interface-just-smile The ‘smiling door’ began with curiosity on how the internal space could reflect on the mood of its users, and this door was proposed as a one of its experiment. “The focus of this project was to provide the audience an […]

Boolean column, 2018

*Boolean is series of styrofoam sculpture cut with specially designed hot-wire cutting instrument that is controlled digitally by game controller. Split from single rectangular blocks, left side is the exact void of the right side and vice versa. This is neither additive nor subtractive way […]

A Bath of Mnemonic Vectors, 2016

A re-territorialised Japanese bathhouse in Hoxton translates the symmetries and asymmetries of shared memories into measurable architectural units. The project involves the author’s and his mother’s memories of one specific bathhouse in Korea, which are diagrammed, encoded and re-staged by masked actors, then digitally captured and algorithmically translated to […]